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Along Came Jones
Along Came Jones
An easy-going cowboy is mistaken by the townsfolk for a notorious gunman. The cowboy decides it would be best to leave town, until he meets the gunman's girlfriend.
rating
5.6
runtime
90 min

Release

1945-07-19

Cast

Gary Cooper
Gary Cooper
as Melody Jones
Loretta Young
Loretta Young
as Cherry de Longpre
William Demarest
William Demarest
as George Fury
Dan Duryea
Dan Duryea
as Monte Jarrad
Frank Sully
Frank Sully
as Avery de Longpre
Don Costello
Don Costello
as Leo Gledhill
Walter Sande
Walter Sande
as Ira Waggoner
Russell Simpson
Russell Simpson
as Pop de Longpre
Arthur Loft
Arthur Loft
as Sheriff
Willard Robertson
Willard Robertson
as Luke Packard
Ray Teal
Ray Teal
as Kriendler
Lane Chandler
Lane Chandler
as Boone
Ernie Adams
Ernie Adams
as Townsman (uncredited)
Erville Alderson
Erville Alderson
as Bartender (uncredited)
Silver Tip Baker
Silver Tip Baker
as Poker Player (uncredited)
Jack Baxley
Jack Baxley
as Rancher on Street (uncredited)
Hank Bell
Hank Bell
as Posse Rider (uncredited)
Paul E. Burns
Paul E. Burns
as Small Man (uncredited)
Horace B. Carpenter
Horace B. Carpenter
as Old Barfly (uncredited)
Tommy Coats
Tommy Coats
as Stagecoach Passenger (uncredited)
Frank Cordell
Frank Cordell
as Stagecoach Guard (uncredited)
Lew Davis
Lew Davis
as Stagecoach Passenger (uncredited)
Ralph Dunn
Ralph Dunn
as Cotton (uncredited)
Frank Ellis
Frank Ellis
as Barfly (uncredited)
Billy Engle
Billy Engle
as Deputy (uncredited)
Art Fowler
Art Fowler
as Barfly Staring at Melody (uncredited)
Clem Fuller
Clem Fuller
as Barfly (uncredited)
Frank Hagney
Frank Hagney
as Townsman (uncredited)
Tom Herbert
Tom Herbert
as Card Player (uncredited)
Herbert Heywood
Herbert Heywood
as Townsman (uncredited)
Bob Kortman
Bob Kortman
as Wagon Driver (uncredited)
Ralph Littlefield
Ralph Littlefield
as Townsman (uncredited)
Emmett Lynn
Emmett Lynn
as Bearded Barfly (uncredited)
Cactus Mack
Cactus Mack
as Tall Barfly (uncredited)
Chris-Pin Martin
Chris-Pin Martin
as Store Proprietor (uncredited)
Frank McCarroll
Frank McCarroll
as Posse Rider (uncredited)
John Merton
John Merton
as Card Player (uncredited)
Douglas Morrow
Douglas Morrow
as Rifleman (uncredited)
Charles Morton
Charles Morton
as Card Player (uncredited)
Artie Ortego
Artie Ortego
as Sleeping Mexican (uncredited)
Lee Phelps
Lee Phelps
as Jailkeeper (uncredited)
Ed Randolph
Ed Randolph
as Stagecoach Passenger (uncredited)
Tony Roux
Tony Roux
as Old Mexican (uncredited)
Paul Sutton
Paul Sutton
as Barfly (uncredited)
Lane Watson
Lane Watson
as Town Character (uncredited)
Chalky Williams
Chalky Williams
as Posse Rider (uncredited)
Henry Wills
Henry Wills
as Cowhand in Saloon (uncredited)
REVIEWS
NA

John Chard

Like I told your friend, never turn your back on anything... especially a girl! Along Came Jones is directed by Stuart Heisler and adapted to screenplay by Nunnally Johnson from the Alan Le May novel The Useless Cowboy. It stars Gary Cooper, Loretta Young, Dan Duryea and William Demarest. Music is by Arthur Lange and cinematography by Milton R. Krasner. Mild mannered Melody Jones (Cooper) and his friend George Fury (Demarest) wander into the town of Payneville. Because of the saddle on his horse having the initials M J, Jones is mistaken for being wanted outlaw Monte Jarrad (Duryea), something which brings him into conflict with the townsfolk - and Jarrad himself! Monte Jarrad. Tall and skinny, mean tempered and extra fast with a gun - travels with half-wit uncle called Uncle Roscoe something. Cooper for the first time enters the realm of producer and delivers a sly spoof of the Western genre that served him so well. Cooper as Jones is happy to laugh at himself, portraying him as an amiable buffoon. Initially it's not easy to accept such a laconic and mighty presence as being such a character, but Cooper quickly draws you in. Cooper is aided by professional turns from Young, Duryea and Demarest, who in turn get a sprightly script of fun dialogue to work from - which in a film of much chatter is crucial to make it work. Elsewhere, what action scenes are forthcoming are moderately staged and Krasner's black and white photography is gorgeous in print form, but the locales and set designs just sort of sit there waiting to be elevated. The budget restriction in place is annoying, where we should have sweep and out of studio airiness, we instead have cheap tricks and crude back projection, this cast deserves better production value. Plotting is also thin and formulaic, the screenplay and Heisler's direction playing safe and not doing justice to the satirical beats trying to be heard. It's fun and charming enough to be worth time spent on viewing, and Cooper and co are good company, but it should have been better and had better care afforded it from a technical standpoint. 6/10