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The Passion of the Christ
The Passion of the Christ
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
rating
7.519
runtime
127 min

Release

2004-02-25

Genres

Cast

Jim Caviezel
Jim Caviezel
as Jesus
Maia Morgenstern
Maia Morgenstern
as Maria
Christo Jivkov
Christo Jivkov
as Juan
Francesco De Vito
Francesco De Vito
as Pedro
Monica Bellucci
Monica Bellucci
as Magdalena
Mattia Sbragia
Mattia Sbragia
as Caifás
Toni Bertorelli
Toni Bertorelli
as Anás
Luca Lionello
Luca Lionello
as Judas
Hristo Shopov
Hristo Shopov
as Poncio Pilato
Claudia Gerini
Claudia Gerini
as Claudia Procles
Fabio Sartor
Fabio Sartor
as Abenader
Giacinto Ferro
Giacinto Ferro
as Joseph of Arimathea
Aleksander Mincer
Aleksander Mincer
as Nicodemus
Sheila Mokhtari
Sheila Mokhtari
as Mother in audience
Lucio Allocca
Lucio Allocca
as Old Temple Guard
Paco Reconti
Paco Reconti
as Whipping Guard
Adel Bakri
Adel Bakri
as Temple Guard
Luciano Dragone
Luciano Dragone
as Second Man
Adel Ben Ayed
Adel Ben Ayed
as Thomas
Franco Costanzo
Franco Costanzo
as Accuser
Lino Salemme
Lino Salemme
as Accuser
Emanuele Gullotto
Emanuele Gullotto
as Accuser
Francesco De Rosa
Francesco De Rosa
as Accuser
Maurizio Di Carmine
Maurizio Di Carmine
as Elder
Francesco Gabriele
Francesco Gabriele
as Elder
Angelo Di Loreta
Angelo Di Loreta
as Elder
Federico Pacifici
Federico Pacifici
as Elder
Roberto Santi
Roberto Santi
as Elder
Giovanni Vettorazzo
Giovanni Vettorazzo
as Elder
Ted Rusoff
Ted Rusoff
as Elder
Tom Shaker
Tom Shaker
as Eyepatch
Andrea Coppola
Andrea Coppola
as Grizzled Beard
Romuald Kłos
Romuald Kłos
as Roman Soldier
Giuseppe Lo Console
Giuseppe Lo Console
as Roman Soldier
Dario D'Ambrosi
Dario D'Ambrosi
as Roman Soldier
Luciano Federico
Luciano Federico
as Man in Audience
Domenico Capalbo
Domenico Capalbo
as Boy
Valerio Esposito
Valerio Esposito
as Boy
Antonello Iacovone
Antonello Iacovone
as Boy
Nicola Tagarelli
Nicola Tagarelli
as Boy
Ivan Gaudiano
Ivan Gaudiano
as Boy
Chokri Ben Zagden
Chokri Ben Zagden
as James
Roberto Bestazzoni
Roberto Bestazzoni
as Malchus
Luca De Dominicis
Luca De Dominicis
as King Herod Antipas
Pietro Sarubbi
Pietro Sarubbi
as Barabbas
Abel Jafri
Abel Jafri
as 2nd Temple Officer
Lello Giulivo
Lello Giulivo
as Brutish Roman
Emilio De Marchi
Emilio De Marchi
as Scornful Roman
Roberto Visconti
Roberto Visconti
as Scornful Roman
Sergio Rubini
Sergio Rubini
as Disma
Francesco Cabras
Francesco Cabras
as Gesmas
Andrea Refuto
Andrea Refuto
as Young Jesus
Giovanni Capalbo
Giovanni Capalbo
as Cassius
Matt Patresi
Matt Patresi
as Janus
Sabrina Impacciatore
Sabrina Impacciatore
as Seraphia
Daniela Poti
Daniela Poti
as Young Girl
Jarreth J. Merz
Jarreth J. Merz
as Simon of Cyrene
Noemi Marotta
Noemi Marotta
as Woman
Rossella Longo
Rossella Longo
as Woman
Davide Marotta
Davide Marotta
as Baby
Rosalinda Celentano
Rosalinda Celentano
as Satan
Danilo Di Ruzza
Danilo Di Ruzza
as Pilate's Servant
Vincenzo Monti
Vincenzo Monti
as Herod's Courtier
Danilo Maria Valli
Danilo Maria Valli
as Herod's Courtier
Nuot Arquint
Nuot Arquint
as Herod's Courtier
Abraam Fontana
Abraam Fontana
as Herod's Courtier
Valerio Isidori
Valerio Isidori
as Herod's Courtier
Paulo dos Santos
Paulo dos Santos
as Herod's Boy
Arianna Vitolo
Arianna Vitolo
as Herod's Court Woman
Gabriella Barbuti
Gabriella Barbuti
as Herod's Court Woman
Ornella Giusto
Ornella Giusto
as Herod's Court Woman
Michelle Bonev
Michelle Bonev
as Herod's Court Woman
Lucia Stara
Lucia Stara
as Herod's Court Woman
Evelina Meghnagi
Evelina Meghnagi
as Herod's Court Woman
Francis Dokyi
Francis Dokyi
as Herod's Servant

Director

REVIEWS
NA

Geronimo1967

The fact that there is precious little English spoken here can come across as a little off-putting at the start. Until, that is, you remember that this is a story that has been told several times - not least in the bible, and so actually the language of the dialogue doesn't really matter so much. Once I was over that, I was rather impressed by the standard of production presented here by Mel Gibson. Jim Caviezel has a wonderful vulnerability and potency in his portrayal of the last day spent by Jesus before his crucifixion. The cinematography is very good, as is the glorious attention to detail with the costumes and settings rich and authentic to behold. The last half hour demonstrates a degree of brutality that is very difficult to watch but somehow that, too, enhances the plausibility of this speculative depiction of events. The supporting cast of relatively unknown talent work well to generate a sense of the inevitability of the proceedings and John Debney's score is rousing and effective too. It does play a little bit fast and loose with the text of the bible, and the very graphic nature of the lives (and loves!) of some of the characters - and their flaws - is provocative and challenges the more traditional (i.e. Cecil B. de Mille) interpretations of this ultimate example of man's inhumanity to man. It is far too long, though. It really does take it's time to get going - perhaps expending a little too much effort on scenario development for subjects that most of us already know (regardless of our own personal faith). At times the direction is also a little bit heavy-handed. It forces us to accept the conclusions drawn by the screenplay, rather than allow us much scope to evaluate, even judge, the unfolding events for ourselves. That said, Gibson has not delivered anything elegiac here, he successfully offers us something illustrating the warts and all existence of biblical-time, Roman occupied, Judea and it is well worth a watch.

NA

Wuchak

**_The Suffering of The Christ_** Helmed by Mel Gibson, “The Passion of the Christ” (2004) details the excruciating last 12 hours of the life of Jesus (Yeshua) Christ as detailed in the Bible, as well as various devotional writings. Jim Caviezel stars in the eponymous role and it’s hard to imagine a more fitting person in the part. Also notable are Monica Bellucci as Mary Magdalene, Hristo Naumov Shopov as Pontius Pilate and Jarreth Merz as Simon of Cyrene. Obviously, this isn’t a fun movie. You have to be braced for it, as it’s shocking in a reverent way. This explains why one critic denounced it as "a two-hour-and-six-minute snuff movie." Nevertheless, it artistically brings to life that particular turning point in history and gives the viewer a great visual of what went down. Christ’s death appeased God’s just wrath in a substitutionary sense and opened the door to immortality and eternal life, as noted in Romans 6:23 and 2 Timothy 1:10. Research the evidence and decide for yourself whether this is historical fact or just myth. The film was shot entirely in Italy. GRADE: A