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Mary Queen of Scots
Mary Queen of Scots
In 1561, Mary Stuart, widow of the King of France, returns to Scotland, reclaims her rightful throne and menaces the future of Queen Elizabeth I as ruler of England, because she has a legitimate claim to the English throne. Betrayals, rebellions, conspiracies and their own life choices imperil both Queens. They experience the bitter cost of power, until their tragic fate is finally fulfilled.
rating
6.558
runtime
124 min

Release

2018-12-07

Cast

Saoirse Ronan
Saoirse Ronan
as Mary Stuart
Margot Robbie
Margot Robbie
as Queen Elizabeth I
Jack Lowden
Jack Lowden
as Lord Darnley
David Tennant
David Tennant
as John Knox
Guy Pearce
Guy Pearce
as William Cecil
Gemma Chan
Gemma Chan
as Bess of Hardwick
James McArdle
James McArdle
as James, Earl of Moray
Ismael Cruz Cordova
Ismael Cruz Cordova
as David Rizzio
Martin Compston
Martin Compston
as Earl of Bothwell
Joe Alwyn
Joe Alwyn
as Robert Dudley
Brendan Coyle
Brendan Coyle
as Earl of Lennox
Ian Hart
Ian Hart
as Lord Maitland
Richard Cant
Richard Cant
as Thomas Andrews
Guy Rhys
Guy Rhys
as Earl of Kent
Thom Petty
Thom Petty
as Earl of Shrewsbury
Izuka Hoyle
Izuka Hoyle
as Mary Seton
John Ramm
John Ramm
as Bull
Simon Russell Beale
Simon Russell Beale
as Robert Beale
Maria Dragus
Maria Dragus
as Mary Fleming
Liah O'Prey
Liah O'Prey
as Mary Livingston
Eileen O'Higgins
Eileen O'Higgins
as Mary Beaton
Greg Miller Burns
Greg Miller Burns
as Thomas Hepburn
Aneurin Pascoe
Aneurin Pascoe
as John Hepburn
Adrian Derrick-Palmer
Adrian Derrick-Palmer
as George Dalgleish
Kal Sabir
Kal Sabir
as The Laird of Ramorny
Luke Kidd
Luke Kidd
as James Haliburton
Adrian Lester
Adrian Lester
as Lord Randolph
Georgia Burnell
Georgia Burnell
as Kate Carey
Alan Turkington
Alan Turkington
as Thomas Jenye
Euan Macnaughton
Euan Macnaughton
as William Kirkcaldy of Grange
Scot Greenan
Scot Greenan
as Hector Maclean
Karen Dunbar
Karen Dunbar
as Commoner
Ian Hallard
Ian Hallard
as Sir Richard Knightley
Andrew Rothney
Andrew Rothney
as King James I
Angela Bain
Angela Bain
as Snuffer Woman
Abby Cassidy
Abby Cassidy
as Fotheringhay Gentlewoman
Shalisha James-Davis
Shalisha James-Davis
as Fotheringhay Gentlewoman
Adam Bond
Adam Bond
as Sir William Douglas
Katharine O'Donnelly
Katharine O'Donnelly
as Young Holyrood Servant
Grace Molony
Grace Molony
as Dorothy Stafford
Luke Hobson
Luke Hobson
as Henry Killigrew
Ben Wiggins
Ben Wiggins
as John Tamworth
Eldredd Wolf
Eldredd Wolf
as William Killigrew
Eric MacLennan
Eric MacLennan
as Portrait Painter
Nathen East
Nathen East
as Andrew Ker of Fawdonside
Daniel Booroff
Daniel Booroff
as Knox's Secretary
Sean Buchanan
Sean Buchanan
as Francis Yaxley
Matthew Pidgeon
Matthew Pidgeon
as Wedding Announcer
Benjamin Barraclough
Benjamin Barraclough
as Officer
Jordan Turk
Jordan Turk
as James MacDonald
Adam Stevenson
Adam Stevenson
as Urie Campbell
Chris Grahamson
Chris Grahamson
as Moray's Drummer
Ed Jones
Ed Jones
as William Taylor
Owen Gorman
Owen Gorman
as Bishop
John Stahl
John Stahl
as Fisherman
Kadiff Kirwan
Kadiff Kirwan
as Attaché
Alex Beckett
Alex Beckett
as Sir Walter Mildmay
Will Rowlands
Will Rowlands
as Soldier
Grant Crookes
Grant Crookes
as Bothwell
Philip Gascoyne
Philip Gascoyne
as English Nobleman (uncredited)

Director

REVIEWS
NA

Ruuz

Thinking about them just in terms of their visual appearnce, Saoirse Ronan probably should have played Queen Elizabeth I instead of Mary, and Margot Robbie probably should have played Not In This Movie. Perhaps it could have performed better, had it not come out the same year as both _Outlaw King_ and _The Favourite_, as its content lies somewhere between the two, but its quality pales to either. _Final rating:★★ - Definitely not for me, but I sort of get the appeal._

NA

minymina

This movie is complete trash. Watch only if you want modern politics shoved down your throat. The movie focuses more on LGBT rights then events related to the setting the movie takes place. Poor casting choices, horrible acting from A-list actors and low budget sets. Not worth streaming. Not worth pirating. Not worthing Seeding. Not worth the popcorn.

NA

John Chard

We have a scourge upon our land. 'Tis worse than pestilence and famine. 'Tis a woman with a crown. ​ Mary Stuart's (Saoirse Ronan) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution. Directed by Josie Rourke and written by Bau Willimon and John Guy, Mary Queen of Scots is the latest in a long line of historical costumers that fudge history to suit heir own ends. From a technical standpoint it's top draw, design, costuming and lead acting performances are quality - though Mary herself ends up being more cartoonish than anything resembling a tragic historical figure. Sadly, though, the narrative goes round and round in circles and ends up in a politically correct fog.​ ​ The pace is laborious, which makes the two hour run time something of a chore to get through. There's little dangles of spice, with attempts at gay acceptance and oral pleasure etc etc, and things hit an upward curve in the latter stages, there's even some smarts in the narrative where obsession with rites and rules of succession threaten to turn the pic into exciting politico/religio waters. Alas, it's a false dawn, to the point where the costume design becomming the best thing in a production speaks volumes about a badly - on the page - historical drama. 3/10

NA

John Chard

We have a scourge upon our land. 'Tis worse than pestilence and famine. 'Tis a woman with a crown. Mary Stuart's (Saoirse Ronan) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution. Directed by Josie Rourke and written by Beau Willimon and John Guy, Mary Queen of Scots is the latest in a long line of historical costumers that fudge history to suit heir own ends. From a technical standpoint it's top draw, design, costuming and lead acting performances are quality - though Mary herself ends up being more cartoonish than anything resembling a tragic historical figure. Sadly, though, the narrative goes round and round in circles and ends up in a politically correct fog.​ ​ The pace is laborious, which makes the two hour run time something of a chore to get through. There's little dangles of spice, with attempts at gay acceptance and oral pleasure etc etc, and things hit an upward curve in the latter stages, there's even some smarts in the narrative where obsession with rites and rules of succession threaten to turn the pic into exciting politico/religio waters. Alas, it's a false dawn, to the point where the costume design becoming the best thing in a production speaks volumes about a badly - on the page - historical drama. 3/10

NA

Geronimo1967

Unfortunately there are just too many flaws in this depiction of the life of Mary Stuart to itemise. The writing rather clumsily imposes a 21st century slant on 16th century Scottish history and seems more bent on imposing the morals and opinions of the former on the times and scenarios of the latter. Neither principal performance is particularly engaging; and Jack Lowden and Joe Alwyn are frankly hopeless as the sexually ambiguous "Darnley" and "Leicester" respectively. The Oscar nominations for Make-up and Costume are certainly well deserved, but really do epitomise the style-over-substance emphasis of this weak adaptation of one of history's greatest rivalries.

NA

GenerationofSwine

Well, I guess the good new is that you don't have to worry at all. It is not historically accurate, and by that I mean it falls under the title of "revisionist." Normally I don't care if a film is historically accurate, I understand it is Hollywood...but I do care if it is a total re-write of history. This is a rewrite, it is so far from accurate that it is a clear attempt to change people's knoweldge of the historical figures and the era. But, the good news is that where is lacks in historical correctness it more than makes up for in political correctness. And that might be at the route of why it veers so far from depicting actual real life events. It's focus was elsewhere, it's focus was on appeasing the people that support censorship and wish nothing more than to revise history to suit their political agenda. But, the good news is that they do a great job of breaking down a tense political and religious struggle to sex.. sex... sex, which seems to be the real driving force behind man characters in the film, forsaking what would have otherwise been an interesting and story of political intrigue