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Blood and Sand
Blood and Sand
Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.
rating
6.5
runtime
125 min

Release

1941-05-30

Cast

Tyrone Power
Tyrone Power
as Juan
Linda Darnell
Linda Darnell
as Carmen Espinosa
Rita Hayworth
Rita Hayworth
as Dona Sol
Alla Nazimova
Alla Nazimova
as Senora Augustias
Anthony Quinn
Anthony Quinn
as Manolo de Palma
J. Carrol Naish
J. Carrol Naish
as Garabato
Lynn Bari
Lynn Bari
as Encarnacion
John Carradine
John Carradine
as Nacional
Laird Cregar
Laird Cregar
as Natalio Curro
Monty Banks
Monty Banks
as Antonio Lopez
George Reeves
George Reeves
as Capt. Pierre Lauren
Pedro de Cordoba
Pedro de Cordoba
as Don Jose Alvarez
Fortunio Bonanova
Fortunio Bonanova
as Pedro Espinosa
Victor Kilian
Victor Kilian
as Priest
Adrian Morris
Adrian Morris
as La Pulga
Ann E. Todd
Ann E. Todd
as Carmen (as a child)
Cora Sue Collins
Cora Sue Collins
as Encarnacion (as a child)
Russell Hicks
Russell Hicks
as Marquis
Maurice Cass
Maurice Cass
as El Milquetoast
Jacqueline Dalya
Jacqueline Dalya
as Gachi
Rex Downing
Rex Downing
as Juan (as a child)
Vicente Gómez
Vicente Gómez
as Guitarist
Charles Stevens
Charles Stevens
as Pablo Gomez
John Wallace
John Wallace
as Francisco
Cullen Johnson
Cullen Johnson
as Manolo (as a child)
Larry Harris
Larry Harris
as Pablo (as a child)
Ted Frye
Ted Frye
as La Pulga (as a child)
Schuyler Standish
Schuyler Standish
as Nacional (as a child)
Rafael Alcayde
Rafael Alcayde
as Undetermined Role (uncredited)
Harry Burns
Harry Burns
as Train Engineer (uncredited)
Cecilia Callejo
Cecilia Callejo
as Street Gachi (uncredited)
Gino Corrado
Gino Corrado
as Waiter (uncredited)
Andre Cuyas
Andre Cuyas
as Minor Role (uncredited)
Ray Dixon
Ray Dixon
as Boy running across bull ring (uncredited)
Raquel Echeverría
Raquel Echeverría
as Undetermined Secondary Role (uncredited)
Thornton Edwards
Thornton Edwards
as Doctor (uncredited)
Paul Ellis
Paul Ellis
as Ortega (uncredited)
Esther Estrella
Esther Estrella
as Street Gachi (uncredited)
Mariquita Flores
Mariquita Flores
as Specialty Dancer (uncredited)
Bess Flowers
Bess Flowers
as Dinner Guest (uncredited)
Rosita Granada
Rosita Granada
as Cafe Singer/Singing Voice of Doña Sol (uncredited)
Ilia Khmara
Ilia Khmara
as Minor Role (uncredited)
Kay Linaker
Kay Linaker
as Guest of Doña Sol (uncredited)
Beverly Luff
Beverly Luff
as Doña (as a Child) (uncredited)
Fred Malatesta
Fred Malatesta
as Waiter (uncredited)
Francisco Marán
Francisco Marán
as Minor Role (uncredited)
Francis McDonald
Francis McDonald
as Manolo's Friend (uncredited)
Francisco Moreno
Francisco Moreno
as Train Conductor (uncredited)
Alberto Morin
Alberto Morin
as Bullfight Attendant (uncredited)
Anne G. Sterling
Anne G. Sterling
as Woman Dancing at Party (uncredited)
Fanny Sterling
Fanny Sterling
as Woman Eating Apple on Train (uncredited)
Ruth Sterling
Ruth Sterling
as Bullfight Spectator (uncredited)
Elena Verdugo
Elena Verdugo
as Specialty Dancer (uncredited)
Michael Visaroff
Michael Visaroff
as Minor Role (uncredited)
REVIEWS
NA

Geronimo1967

I started out quite enjoying this outing for Tyrone Power but by an hour in, I was really rather disappointed. Keen to follow in his grandfather's footsteps, he is the aspiring toreador "Gallardo" who is panned by critic "Curro" (the scene stealing Laird Creggar) as a fifth rate ring entertainer. He is determined to not only make his fortune, but to become famous and return to his village where he can claim the hand of childhood sweetheart "Carmen" (Linda Darnell). Thing is, success can be a double edged sword and at the top of his game and fame he is espied by the glamorous and rather manipulative "Doña Sol" (Rita Hayworth) who is determined to... well you can guess the rest. That's maybe the problem for me. It begins as a drama that looks at the sometimes rather brutal life of a bullfighter (rightly or wrongly) in a way that reminded me of many films about boxing. This sport really was the only way many people - not just those in the ring, but their friends and families too - could escape the cycle of poverty. It also illustrated quite well just how toxic the power of unfettered adulation can be when the object isn't maybe the strongest emotionally. The second hour does fall away, though, and we flirt just too closely with melodrama as Alfred Newman's score becomes just a bit too prominent (and indicative of what's to come). Anthony Quinn chips in quite well as the bitter "Manolo" but not really enough to keep the action elements on top. You can easily see the drawing power of both Power and Hayworth here, but the story itself let me down.