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Jezebel
Jezebel
In 1850s Louisiana, the willfulness of a tempestuous Southern belle threatens to destroy all who care for her.
rating
7
runtime
103 min

Release

1938-03-26

Cast

Bette Davis
Bette Davis
as Julie Marsden
Henry Fonda
Henry Fonda
as Preston Dillard
George Brent
George Brent
as Buck Cantrell
Margaret Lindsay
Margaret Lindsay
as Amy Bradford Dillard
Donald Crisp
Donald Crisp
as Dr. Livingstone
Fay Bainter
Fay Bainter
as Aunt Belle Massey
Richard Cromwell
Richard Cromwell
as Ted Dillard
Henry O'Neill
Henry O'Neill
as General Theopholus Bogardus
Spring Byington
Spring Byington
as Mrs. Kendrick
John Litel
John Litel
as Jean La Cour
Irving Pichel
Irving Pichel
as Huger
Theresa Harris
Theresa Harris
as Zette
Janet Shaw
Janet Shaw
as Molly Allen
Margaret Early
Margaret Early
as Stephanie Kendrick
Lou Payton
Lou Payton
as Uncle Cato
Gordon Oliver
Gordon Oliver
as Dick Allen
Eddie 'Rochester' Anderson
Eddie 'Rochester' Anderson
as Gros Bat
Matthew Beard
Matthew Beard
as Ti Bat
Georges Renavent
Georges Renavent
as De Lautruc
Mary Field
Mary Field
as Woman at the Olympus Ball (uncredited)
Amzie Strickland
Amzie Strickland
as Woman at the Olympus Ball (uncredited)
Trevor Bardette
Trevor Bardette
as Sheriff at Plantation (uncredited)
Al Bridge
Al Bridge
as New Orleans Sheriff (uncredited)
Maurice Brierre
Maurice Brierre
as Drunk (uncredited)
Jack Norton
Jack Norton
as Drunk (uncredited)
Tony Paton
Tony Paton
as Drunk (uncredited)
Daisy Bufford
Daisy Bufford
as Flower Girl (uncredited)
Frederick Burton
Frederick Burton
as First Director (uncredited)
Edward McWade
Edward McWade
as Second Director (uncredited)
Georgia Caine
Georgia Caine
as Mrs. Petion (uncredited)
Davison Clark
Davison Clark
as Deputy Sheriff (uncredited)
Ann Codee
Ann Codee
as Madame Poulard (uncredited)
Frank Darien
Frank Darien
as Bookkeeper (uncredited)
Suzanne Dulier
Suzanne Dulier
as Midinette (uncredited)
Jack George
Jack George
as Orchestra Leader (uncredited)
Jesse Graves
Jesse Graves
as Servant (uncredited)
George Guhl
George Guhl
as Fugitive Planter (uncredited)
John Harron
John Harron
as Jenkins (uncredited)
Stuart Holmes
Stuart Holmes
as Doctor at Duel (uncredited)
Philip Hurlic
Philip Hurlic
as Erronens (uncredited)
Fred Lawrence
Fred Lawrence
as Bob (uncredited)
Sam McDaniel
Sam McDaniel
as Driver (uncredited)
Louis Mercier
Louis Mercier
as Bar Companion (uncredited)
George Sorel
George Sorel
as Bar Companion (uncredited)
Charles Middleton
Charles Middleton
as Officer (uncredited)
Cliff Saum
Cliff Saum
as Ball Assistant Director (uncredited)
Jacques Vanaire
Jacques Vanaire
as Durette (uncredited)
Charles Wagenheim
Charles Wagenheim
as Customer (uncredited)
REVIEWS
NA

Geronimo1967

This starts off really strongly with the arrival, on horseback, of the feisty "Miss Julie" (Bette Davis). She is the rather proud orphaned daughter of a wealthy southern family whom everyone wants to know and be seen with - even if she is a bit of a pain in the neck. It's "Dill" (a rather charmless Henry Fonda) who is the front runner for her rather vain affections but he is no push-over. Her desire to inappropriately wear a red gown to a formal ball initially elicits his reluctant support as he escorts her, but then the ensuing fallout ensures he flees leaving her alone and determined - to get him back. The onset of the plague forces her to flee to their plantation and he ends up there too - but with a significant complication. With her normally ordered life all askew, "Miss Julie" has to think, perhaps for the first time, not just about herself. I'm afraid, though that this film was just bit too much of a soap for me. Though Davis has loads of beans at the outset, the story rather manoeuvres us into a rather predictably sentimental cul-de-sac that's slightly cluttered up by the rather obnoxiously cocky "Buck" (George Brent). Donald Crisp and Spring Byington provide a bit of ballast now and again, but I just found this all rather disappointingly flighty and thin. A frustrated love story, yes - but I just needed much more of our original "Jezebel" and less of what her character became. I saw this very recently on a big screen and it is still, despite my reservations, a fine example of thoroughly well presented and opulent cinema with a star who very much owns the screen.